Entertainment

The recent tepid reception of Pixar’s latest offering, *Elio*, has posed a significant question about the future of original animated films. Raking in just $21 million during its opening weekend, the film recorded the lowest debut for a Pixar project in history, unveiling what many critics, including Wall Street analysts, perceive as a deeply troubling
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Danny Boyle’s latest endeavor, “28 Years Later,” has marked a loud entrance into the horror film landscape with an impressive $60 million global debut. This figure reflects a balanced split between domestic and international markets, each contributing $30 million. This opening volley not only exceeds expectations but also sets a new standard for auteur-driven horror
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Francis Ford Coppola, a name synonymous with film history, is stepping back into the spotlight with his audacious project, Megalopolis. This isn’t just a film; it’s a manifestation of the visionary’s intricate soul and his lifelong dedication to cinema. Set against the backdrop of a reimagined America, Megalopolis pits ideals against stagnation, mirroring the turbulent
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In a political landscape that often sidesteps the impactful roles played by women, “Prime Minister” emerges as a beacon of change. The documentary chronicles the tenure of Jacinda Ardern, New Zealand’s former Prime Minister, whose leadership style reshaped global narratives around governance during crises. Observing her story not only illuminates the unique challenges female leaders
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The recent acquisition of The Quorum by Greenlight Analytics signifies a significant shift in the landscape of entertainment analytics, but it also serves as a warning for an industry fraught with challenges. Founded by David Herrin, a notable figure in data research, The Quorum built a reputation for offering audacious long-term box office projections that
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The independent film industry is experiencing an undoubted renaissance. A staggering 26% increase in domestic box office revenue compared to last year demonstrates a palpable hunger for alternative narratives among moviegoers. This shift is more than just a fad; it’s a cultural evolution that suggests a significant recalibration of viewer expectations and preferences. Audiences are
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