The impending five-city tour of Alain Guiraudie’s latest film, “Misericordia,” promises to be an electrifying event for cinema enthusiasts across the United States. Kicking off on March 21 at iconic venues like the IFC Center in New York and the Nuart Theatre in Los Angeles, this film is not merely a viewing experience; it’s an
Entertainment
In an era where the cinematic landscape is inundated with reboots, sequels, and franchises, director Bong Joon-ho’s latest offering, Mickey 17, emerges as a breath of fresh air. Following its release in South Korea and subsequent expansion to 66 international markets, Mickey 17’s weekend gross of $24.5 million is more than just a financial success;
The decision to move the release date of *A Big Bold Beautiful Journey* from May 9 to September 19 is not just a logistical maneuver; it encapsulates a sophisticated understanding of market competition and audience engagement. In a landscape dominated by blockbuster spectacles, particularly in the summer months, releasing a romantic drama like this one
Courtenay Valenti, head of film, streaming, and theatrical at Amazon MGM Studios, recently revealed ambitious plans at SXSW to enhance their theatrical presence. The studio aims to release 12 to 14 films in theaters next year, with aspirations to ramp this number to 16 by 2027. This move is indicative of a significant shift in
The COVID-19 pandemic decimated the exhibition industry, leaving theaters grappling with dwindling audiences and existential crises. Yet, from the ashes, new paradigms are rising, demonstrating how theaters can creatively adapt to modern consumer expectations. Chains, both big and small, are not merely trying to recover but are innovatively redefining the landscape of entertainment. They are
The appointment of Sarah Timlick as Amazon MGM Studios’ Head of Theatrical Distribution for Canada underscores a transformative strategy within a highly competitive film market. This decision is not just about filling a position; it represents a systematic shift in how the tech giant is positioning itself in the global film landscape. By directly overseeing
In an era increasingly shaped by streaming services, the $101.3 million box office achievement of “Bridget Jones: Mad About the Boy” reveals a refreshing gust of wind within the cinematic landscape. Renée Zellweger’s return to the iconic role resonates in an industry cluttered with formulaic plots and predictable endings. This film, which opted for a
As *Mickey 17* hits theaters, many in the film industry are paying keen attention to its financial viability—a far cry from just enjoying cinema as an art medium. With an exorbitant production budget of $118 million, post-tax credits, Warner Bros. is banking heavily on this sci-fi venture directed by the renowned Bong Joon Ho. However,
Ne Zha 2, emerging as an animated titan from CMC Pictures, has captivated the box office with an impressive cumulative gross approaching the remarkable $20 million mark in the domestic market alone. This animated film, deeply rooted in Chinese folklore, has achieved something unheard of for a foreign film: remaining in the domestic Top Ten
Denzel Washington and Jake Gyllenhaal are names that resonate powerfully in the world of cinema, and their leap to the Broadway stage has created an electrifying buzz that many contemporaries simply cannot achieve. The recent opening of Othello, a Shakespearean classic, is a testament to the power of celebrity star casting. The production shattered records